Aaron's Music

 

Aaron Tornberg - some music of mine in mp3 form I call, "Songleading On the Web"

Right click the link and choose save to download the mp3 or you can try clicking on the link to play directly.


I've Been Working on the Railroad/Hinei Rakevet

This song is a combination of the American folk song about railroads and the childrens' song from Israel that is translated as, "Here is a train, it goes around, on wheels. Chug chug, Ding a ling toot toot. Believe me, the Hebrew version isn't quite so silly. But it isn't exactly serious either.

Elohai Nitzor

This music was written by me. The text translation comes from the Reform Jewish prayerbook, The Gates of Prayer (p.47). The words mean, "O God, keep my tongue from evil and my lips from deceit. Help me to be silent in the face of derision, humble in the presence of all. Open my heart to Your Torah, and I will hasten to do Your Mitzvot. Save me with Your power; in time of trouble be my answer, that those who love you may rejoice."

Hinei Mah Tov

This is a medley of two versions of Hinei Mah Tov, the meaning of which is, "How good and how pleasant it is for brothers (and all people implied) to live together in peace."

Sim Shalom

This Jewish folk song means, "Grant peace and happiness and blessing."

Bim Chiri Bam

The first part of this song is a "nigun" or "melody" in English. In this case, the melody is in the form of the syllables without meaning, "bim bam" and then the words "Shabbat Shalom" or "Sabbath Peace". The second part of the song is called "Chiri Bim" and includes Yiddish lyrics that mean, "As I sing, Lecha Dodi (Enter my beloved) You sing Likrat Kallah (Welcome the Bride). Chiri Bim Bam are nonsense syllables in the tradition of nigunim or songs without words, only melodies.

Yism'chu

The translation of this song that is sung on Shabbat is "Those who keep the Sabbath and call it a delight shall rejoice in Your deliverance. All who make the seventh day holy shall be gladdened by Your goodness. This day is Israel's festival of the spirit, sanctified and blessed by You, the most precious of days, a symbol of the joy of creation."

Honor, Riches

Moving away from strictly Judaic content, this song is a wedding song that comes at the end of Shakespeare's A Winter's Tale. The song is intended to wish blessings upon those who are marrying. I wrote the music for this.

Come Unto These Yellow Sands

This was written along with Honor, Riches out of the Shakespeare Riverside edition. This song is from The Tempest and has a kind of irony in that the gently music I wrote clashes with the rather morbid text of fish eating the remains of the character's father. This is often referred to as Ariel's Song

Treehouse

This song is simple song I wrote about sometimes wishing to escape to a treehouse just to be away, but to still remain in contact with others. I may be separated, but I am still present and enjoying my time on earth. Simply a fantasy.

Differences

This was written when I lived in Canada. There is a kind of feeling in Canada that these are the main differences between Americans and Canadians. Americans don't seem to think about Canada much, but when they do, it seems they only consider that which is superficial. Canada is much the same as the U.S., but there are differences. I try to include some concrete reasons that Canada is also a nice place to live.

Down By The Riverside/Lo Yisa Goy

This last song is a combination of the Spiritual, Down by the Riverside and the text "Lo Yisa Goy" which is closely related to the spiritual. The Hebrew text means, "Nation shall not lift up sword against nation, neither shall they know war anymore."

I have many influences present in the above songs.

For my favorite musicians’ homepages, click on their names or pictures:

 

 

James Taylor

 

Harry Chapin

 

Pete Seeger

 

Judy and David - Childrens' performers


I try to keep up with the current trends in Jewish music. There are many great Jewish music sources on the web. For one of the many Jewish Music Homepages, click here: The Debbie Friedman Homepage

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